「維基百科說僅勾勒出輪廓，形體，而不加繪肌理，光影的細節，這是速寫。我想，和我相差不遠吧！不同的是，我在同一張畫裡，速寫了好多遍。我們看到的總是過去， 因為，光線從遙遠的物體上到達我們這裡需要經歷漫長的時間。」
在這次作品裡，戴宛蓁以各種細微的感覺與回憶在畫裡回應並重新描述，每一次的回顧、再描述，都顯現出不同的意義。回憶內在的存有，情感的抒發，從模糊的記憶到畫面的雛形架構，在架構中漸漸清楚所有空間氛圍，轉化成形狀、肌理與色彩。在重新書寫的狀態裡，時間軸被再度拉開，以新的姿態重新賦予意義，在反覆的狀態中，試圖翻找出記憶中的重疊，這一短暫時光的再現，讓這些當下再度成為一種紀念。
“According to Wikipedia, a quick sketch is merely an outline, a form without drawing any texture, neither the details of light and shadow. I think that I am not differing from that a lot! The difference is that I am sketching many times over the same painting. What we are looking at is always the past, that is because the light on the object takes a long time to reach where we actually are ,
In this exhibition, Dai Wan Jen responds and depicts with sensitiveness and reminiscence at the same time. With every review and every new description, different meanings become unveiled. From a vague memory to the first draft on the painting,Dai makes all the room and atmosphere become visible, transforming memories into form, texture and color. By re-sketching over and over again, a new meaning is given. While trying to figure out the overlap of memories,this temporary review makes the current feelings become a new memory again.
開幕茶會opening party：2015-06-06 15:00
