遺忘與凝望
雙向奔赴的創作思維
Forgetting and Gazing
Creative thinking that runs in both directions
普遍藝術史與藝術比較的領域，都傾向採用二元思維，將藝術世界分割成為對立兩方，形成「非此即彼」的論點，例如東方對比西方、寫實對比抽象、扁平對比透視等等的描述。當我們開始以歷史角度理解藝術，便會發現許多當代創作者無法以「非此即彼」的概念加以區分。「雙向奔赴」引用時下媒體用詞，比喻相對距離的兩者，基於創作者的意圖，促使兩者逐漸匯聚並產生特殊的意義。本展精選六位跨世代的創作者，透過既有或新創的「美學語法」（the grammar of their aesthetics）探討二元之間如何藉由藝術創作而聚焦。以相異的創作手法各自表述，在宏觀角度和美術技法上，讓相對的二種概念匯流為一，致力探索圖像符號與繪畫語彙，務求在原本對立的關係之間取得平衡。
文 / 曾學彥
光與色 Light and Color
回歸視覺藝術的本質研究，臨摹物象作為創作的基本條件之下，黃敏俊提出「反常態」的繪畫概念，試圖從十九世紀初哥德的色環到印象派繪畫的「外光理論」與二十世紀表現主義的「情感色彩」之間，塑造更貼近現實的觀看體驗。以顏料模擬光的色彩，以及電子產品散射的光線。將我們日常熟悉的視覺記憶加以「調頻」，讓觀者累積新型態的視覺認知。
Returning to the fundamental study of visual arts, where mimicking objects is a basic condition of creation, Huang Ming-Chun introduces the concept of "abnormality" in painting. He seeks to craft a viewing experience that is closer to reality by bridging the gap between Gothic's color theory from the early 19th century, the "En plein air" of Impressionist painting, and the expression of color by expressionism in the 20th century. Huang achieves this by simulating the colors of light using paint, as well as the scattered light from electronic devices. By "tuning" our familiar everyday visual memories, he allows the viewer to accumulate a new form of visual cognition.
光 25 Light 25
81 x 47.5 cm（3pcs） / 油彩、畫布 Oil paint on canvas / 2024
「光與色彩」是黃敏俊創作30多年來主要研究的課題，獨創的「光色合一」理論，透過全新的光色三原色「洋紅、黃、鮮綠」真實還原光的色彩，呈現出光的衰減與變化，透過實例與理論縮小繪畫與現實的差距，回歸光的本質，使畫面更具傳統繪畫所無法達到的真實與立體感。
"Light and color" has been Huang Ming-Chun's main research subject for more than 30 years. The original "The Redefinition of Primary Colors" theory truly restores the color of light through the new three primary colors (magenta, yellow, and viridian green) , presenting The attenuation and changes of light, through examples and theories, narrow the gap between painting and reality, return to the essence of light, and make the picture more realistic and three-dimensional that traditional painting cannot achieve.
1/光之窗 1 Window of Light 1
81 x 47.5 cm / 油彩、畫布 Oil paint on canvas / 2024
2/光之窗 2 Window of Light 2
81 x 47.5 cm / 油彩、畫布 Oil paint on canvas / 2024
3/光之窗 3 Window of Light 3
81 x 47.5 cm / 油彩、畫布 Oil paint on canvas / 2024
4/光之窗 4 Window of Light 4
33 x 24 cm / 油彩、畫布 Oil paint on canvas / 2024
經典系列 Classic series
以西方的繪畫媒材與技法再現東方水墨畫，藉由黃敏俊鑽研多年所獨創的「光色合一」三原色，重新繪製出屬於當代的經典之作。
每一幅作品皆透過不同的色彩基調使畫面更加鮮活，融入光線使景色產生透視與立體現象，加上水墨的虛實、遠近和留白，讓畫面更加自然通透，以不同的層次呈現出山水畫中的光線、雲霧、流風，再現經典畫作的磅礴氣勢。
Using Western painting media and techniques to reproduce Eastern ink painting, HUANG Ming-Chun repaints a contemporary classic using the three primary colors of "Unification of Light and Color" created after years of research.
Each work uses different color tones to make the picture more vivid. The integration of light creates perspective and three-dimensional phenomena in the scenery. In addition, the virtual reality, distance and white space of ink make the picture more natural and transparent, and presented at different levels. The light, clouds, and wind in landscape paintings are brought out to reproduce the majestic momentum of classic paintings.
早春圖 (2) Early Spring (2)
158.3 x 108.1 cm / 油彩畫布 Oil on canvas / 2024
谿山行旅圖 Travelers Among Mountains and Streams
103.3 x 206.3 cm / 油彩畫布 Oil on canvas / 2022
光抽象系列 Light Abstraction series
「光抽象」系列主要呈現光的形狀，看似抽象的畫面其實是光的具象化。過去繪畫是表現光反射出來的物體形狀，而這個系列則是直接畫出光的形象而不是表現物體的模樣，使之游移在具象與抽象之間。
The "Light Abstraction" series mainly presents the shape of light. The seemingly abstract pictures are actually the embodiment of light.Painting in the past expressed the object shape reflected by light. This series displays the shape of light directly but not the form of an object, wandering between concrete and abstract.
光抽象 18 Light Abstraction 18
91 x 65 cm / 油彩、畫布 Oil paint on canvas / 2024
內心與外在 Inner and Outer
劉欣宜的作品無論是立體或平面，創造「某個當下」一直是畫面中的關鍵訊息，孩童的容顏、飛舞的頭髮、雨後的光景……具體呈現每一個深植記憶的當下。以孩童形象作為創作主體，因純粹的靈魂不善於偽裝，與成人相比更能接近內心真實的自己，以及象徵身處巨大世界的渺小無助。
Regardless of whether LIU Shin-Yi's works are three-dimensional or two-dimensional works,"capturing the moment" has always been a crucial element within the imagery—whether it’s the innocent faces of children, hair flowing in the wind, or the scenery after a rainstorm. These elements concretely express each moment deeply ingrained in memory. The child figure serves as the central subject, as their pure soul, less inclined to conceal, is closer to their true inner self compared to adults. This also symbolizes the smallness and vulnerability of being in an immense and overwhelming world.
沈默之雨 The Silent Rain
45 x 35.8 cm / 藝術微噴、平滑藝術紙 Giclee Print, Fine Art Paper / 版數 Edition：25 / 2023
「用一場雨的時間，跳一支舞。」劉欣宜〈雨季-圓舞曲〉系列作品，透過小女孩在雨中跳舞的姿態來呈現悠然自得的模樣。特別設計水波狀的不銹鋼台座，並透過鏡面來仿造水面反射的效果。 「即使身在低潮，也能怡然自得的享受當下，與它共存，等待雨過天晴。」
"With the time of a rain shower, dance a waltz." LIU Shin-Yi’s "Rainy Season - Waltz" series presents a serene image through the figure of a girl dancing in the rain. The specially designed stainless steel pedestal mimics the rippling surface of water, reflecting its shimmering effect. "Even in low moments, one can find tranquility and coexist with the present, waiting for the rain to pass and the skies to clear."
雨季-圓舞曲-2 Rainy Season-Waltz-2
30 x 24 x 40 cm / 銅、不鏽鋼、油彩 Copper, Stainless Steel, Oil Paint / 2023
雨季-圓舞曲-3 Rainy Season-Waltz-3
37 x 24 x 43 cm / 銅、不鏽鋼、油彩 Copper, Stainless Steel, Oil Paint / 2023
古與今 Ancient and Present
陳修橋將東方文化濃縮在雕塑作品當中，並以動物形象作為象徵，將書法筆觸化作雕刻的刀痕，採用鏤空替代留白的美學，讓動物造形增添虛實交錯的輕盈感受，流暢的線條則帶出靈動的視覺感受，最後輔以精神性的色彩，讓作品呈現奔放的當代風格。
CHEN Xiu-Qiao condenses oriental culture into sculptures and uses animal images as symbols, , the artist transforms the brushstrokes of calligraphy into carved lines. The use of hollow spaces replaces traditional blank space, adding a sense of lightness through the interplay of solidity and void in the animal forms. Flowing lines evoke a dynamic visual experience, while the use of spiritual colors infuses the work with a sense of vitality, presenting a bold, contemporary style.
海面頻率 01 Frequency of Sea 01
55 x 25 x 23 cm/樟木、不銹鋼、油彩 Camphor wood, Stainless Steel, Oil Paint/2024
陳修橋的創作核心將水墨與書法的書寫架構概念帶入立體雕塑中，探討虛實、留白對應於雕塑中的正負空間。將作品形象類比海面波浪頻率的變換，思考頻率所帶來之寧靜感的視覺印象。
CHEN Xiu-Qiao's artistic core integrates ink wash and calligraphy concepts into three-dimensional sculptures, exploring the relationship between emptiness and presence in positive and negative space. His works draw an analogy to the changing frequencies of ocean waves, reflecting on the visual impression of tranquility that such frequencies evoke.
勢 Indomitable
39 x 20 x 23 cm / 樟木、不銹鋼、油彩 Camphor Wood, Stainless Steel, Oil Paint / 2023
在創建理想的道路上，身為洪流趨勢中的一個小點，不甘於只是一個小點，而是要鋒利又頑強地衝破框架，直至形成一股新的勢態繼續前行。如同鬥牛與身上跳動的紅，想要展現一種不屈不饒的精神。
On the way to achieving my ideal, maybe I am just a small point in the trend. I am not willing to be just a nobody, but break through the framework sharply and tenaciously until a new momentum is formed and I continue to move forward. Just like the bullfighting bull and its red color, I wanted to show its indomitable spirit.
自身與他者 Self and Others
塑造「分身」向來是創作者在作品中述說故事的手法之一，為欣賞打開一扇親切的迎賓大門，並以自身美感經驗構成可愛的造型風格，也透過角色的獨特造型隱喻作者自身的特質，引導觀者跟隨角色走入各種情境，理解作者遭遇的種種問題。
The creation of "avatars" has long been a storytelling technique used by artists in their works, opening a welcoming door for viewers. By incorporating their aesthetic experiences into charming, stylized forms, the artist uses the unique design of these characters to metaphorically reflect their own traits. Through these characters, the artist guides the audience into various scenarios, inviting them to explore and understand the challenges the creator has faced.
那裡-貳 There-2
25 x 13 x 11 cm / 銅、油彩上色 Copper, Oil paint / 版數 Edition：15 / 2023
看似不起眼的雜草，反而是因為堅毅的生命力而蔓生到隨處可見。
採集人記錄下路邊的各種雜草，並採集下來做為收藏。
They may seem like inconspicuous weeds, but they can be seen everywhere because of their perseverance and vitality. Collectors record various weeds on the roadside and keep them as collections.
採集人 Collector
35 x 15 x 20 cm/FRP、壓克力 Acrylic On FRP/版數 Edition：6 /2024
採集人(青)
採集人(粉)
日日春 Every day spring
41 x 29 x 22 cm/FRP、壓克力 Acrylic On FRP/版數 Edition：6 / 2024
冬去春來，希望的種子開始萌發，雀躍的日日春在頭頂綻放。所有人的心情都如春天一般鳥語花香，永遠永遠。
As winter turns to spring, the seeds of hope begin to germinate, and the cheerful Rose Pericuinkle blooms overhead.
Everyone's mood is like the singing of birds and the fragrance of flowers in spring, forever and ever.
夢 Wonderland
51.5 x 70 cm/ 壓克力、木板、石粉黏土 Acrylic, board, stone powder clay/ 2024
存與逝 Existence and Disappearance
林安常以各種野生動物作為雕塑主題，強調自然真實的鑿刻風格，少以修飾的表面肌理，淡薄的色彩計畫，展現自然原始的生命力，藉此喚起人類對於環境的最初記憶，雕塑在此除了表現現存的景觀，更為消逝中的風景留下紀念。
LIN An-Chang uses various wild animals as the main subject of sculpture, the artist emphasizes a raw and authentic carving style with minimal surface embellishments and a subtle color palette. This approach highlights the primal vitality of nature, aiming to evoke humanity's earliest memories of the environment. The sculptures not only depict existing landscapes but also serve as a tribute to vanishing natural scenes, preserving their memory before they disappear.
向山海緩步 Ramble towards mountains and sea
95 x 40 x 108 cm/樟木、胡粉、壓克力上色 Camphor wood, Oyster Shell Powder, Acrylic/2024
將對於山與海的嚮往以創作的方式呈現，並以鹿象徵山海之間無法言喻的神秘感與魅力。透過木材雕鑿的痕跡呈現自然中不具規律的景色，並透過接榫的技法暗示人在山海中所留下的足跡。
The longing for mountains and seas is expressed through art, with the deer symbolizing the indescribable mystery and charm between them. The traces of carved wood reveal the irregular beauty of nature, while the joinery technique hints at the footprints left by humans amidst the mountains and seas.
在山坡上舞蹈 Dancing on the hill
17 x 18 x 54 cm/南洋杉、樟木、胡桃木、胡粉、壓克力上色 Araucaria cunninghamii, Walnut, Oyster Shell Powder, Acrylic/2024
微光 Shimmer
26 x 25 x 53 cm (含台座) /樟木、雲檜、壓克力上色 Camphor wood, Cypress, Acrylic／2024
得與失 Gain and Loss
游峻榮在寫實雕塑技法中，運用異位的排列組合呈現生命體，讓動物與人類組成耐人尋味的新樣態。同步訴說人類與動物共有的狀態，是失去話語權的人類？抑或是生來無法言語的失格？超現實的造形解構現實的視覺，讓雕塑除了具體呈現形象之外，也能闡述創作者欲傳遞的訊息。
In realistic sculpture techniques, YOU Jing-Rong uses displaced arrangements to present life forms, creating intriguing new combinations of animals and humans. This approach simultaneously conveys the shared conditions of both species—is it the voicelessness of humans who have lost their power of speech, or the inherent silence of creatures born without it? The surreal forms deconstruct the reality of the visual world, allowing the sculptures to not only depict tangible shapes but also to express the deeper messages the creator seeks to convey.
沈默的鵝 Silent Goose
26.5 x 7.5 cm／檜木 Cypress／2024
沉默的鵝：默不作聲的鵝，靜靜凝視著遠方。
Silent Goose: The silent goose stares into the distance quietly.
不語 Peaceful
26.5 x 7.5 cm／檜木 Cypress／2024
遺忘與凝望－雙向奔赴的創作思維
Forgetting and Gazing－ Creative thinking that runs in both directions
參展藝術家｜Artist
黃敏俊 HUANG Ming-Chun
劉欣宜 LIU Shin-Yi
陳修橋 CHEN Xiu-Qiao
朱媛汝 CHU Yuan-Ju
林安常 LIN An-Chang
游峻榮 YOU Jing-Rong
展期｜Date
2024 / 10 / 19 ~ 2024 / 12 / 07
開幕｜Opening
2024 / 10 / 19 15:00
地點｜Place
秋刀魚藝術中心 Fish Art Center（台北市中山區基湖路137號一樓）
開放時間｜Open hours
週二至週六 13:00~19:00（週日、一閉館）
聯繫我們
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